



photo credits Laura Spozio
Ceramics, metal wire, golden leaf
2014
The scene/ what i managed to collect
the black was the first to appear, then from it derived the fallen one that appeared like that from the beginning
when i say derived it's not like Adam and Eve nor like a child from a mother but like a twin from the same mold
it's two of the same genealogy but they are different elements
one sweats gold
it's hair is a sign of it's force like Samson, in fact i call it that, Samson
the other is a pale honorable statue
the black is the protagonist but without the other its strength wouldn't be the same
the black is building up its anger, it's building up its force and if you focus on it it's like a snapshot taken just before something happens
and there's a pillow on the floor
the pillow belonged to one of them, it was the ceremonial assortment of the pale one but now it's on the floor
the pillow is a soft thing that could console but it's just on the floor now, it exists alone on the base
then there is colors and colors are playing an equation
and those colors can play alone
Utility is part of objects but it's more the silence of their utility that makes them poetic.
This work evolves around the idea of 'containing'. What does it mean to contain? Can the container be content as well? Is the container simply a spatial solution of a practical problem? Or is it a spatial solution of another kind of problem?'Samson duo' is a reflexion on how the content changes the recipient.